Arts
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Executive Director of Museum of the Moving Image Exits After 12 Years
Carl Goodman, who has been at the museum for 34 years in total, will next serve as the president of…
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‘Modern Swimwear’ Review: The Designer and the Murderer
Depicting the final hours of a young fashion designer’s life, Caitlin Saylor Stephens’s play lacks the sturdiness to make its…
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Salman Rushdie Has a New Book, and a Message: ‘Words Are the Only Victors’
Nearly six months after he was brutally attacked, Rushdie is recovering and releasing a new novel, with the literary world…
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In ‘Shrinking,’ Jason Segel Does the Work
Jason Segel knows that you like him. It’s the sad eyes. The pained smile. The shambling 6-foot-4-inch frame that he…
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Monica Bellucci Tries on the Dress, and Life, of Maria Callas
The film star embodies one of opera’s greatest divas in the solo show “Maria Callas: Letters & Memoirs,” coming to…
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An Artist Who Blends Secular and Sacred (With Sequins)
The scene was a vibrant pastorale, rendered in thousands of shimmering sequins and beads that filled a nine-foot-wide canvas with…
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Ticketmaster Cast as a Powerful ‘Monopoly’ at Senate Hearing
The Judiciary Committee, responding to the bungled sale of Taylor Swift concert tickets, heard the company apologize and its critics…
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Baltimore Museum of Art Taps Its Chief Curator as Its Next Director
Asma Naeem, raised in Baltimore, will lead the city’s pre-eminent art museum as it faces unionization and equity efforts.
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‘Extraordinary’ Review: The Power of Powerlessness
The heroine of “Extraordinary,” on Hulu, just wants to have a superpower so she can be like everyone else.
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Justin Peck’s New Americana, Set to Copland’s Old
“Right now you’re dancing on top of or ahead of the music,” Justin Peck told members of New York City…