Arts
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‘Drive My Car’ Review: A Director Takes Your Heart for a Spin
Partway through “Drive My Car,” a character you don’t especially like or trust looks directly at the camera. He’s in…
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Domhnall Gleeson Feels That Crackle in the Air
The first time the Irish actor Domhnall Gleeson tried to go to Coney Island, it was February, he was 22…
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Review: The Met Opera’s ‘Eurydice’ Tries to Raise the Dead
What does it sound like when you’re dead? “There are strange high-pitched noises,” a character in Sarah Ruhl’s play “Eurydice”…
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This Year’s ‘Nutcracker’ Kids: Taller, Older and Savoring It All
They need to be at least 12. They need to be vaccinated. And they need new costumes. But what they…
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They Adapted ‘Mrs. Doubtfire,’ and Their Personal Beliefs
Wayne and Karey Kirkpatrick “could spend hours discussing the psychology” of growing up the sons of a Louisiana pastor and…
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Maya Lin’s Dismantled ‘Ghost Forest’ to Be Reborn as Boats
Maya Lin’s acclaimed “Ghost Forest” — her installation at Madison Square Park in New York — was being carved up,…
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‘Clyde’s’ Review: Sometimes a Hero Is More Than Just a Sandwich
We are living in Greek times — or so you might conclude from the preponderance of Greek tragedies turned out…
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5 Classical Music Albums to Hear Right Now
‘Amata dalle Tenebre’ Anna Netrebko, soprano; Orchestra of the Teatro alla Scala; Riccardo Chailly, conductor (Deutsche Grammophon) The soprano ...
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‘The Humans’ Review: Reasons (Not) to be Cheerful
“The Humans” — Stephen Karam’s startling film of his 2016 Tony Award-winning play — has seven characters, only six of…
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N.Y.U. Skirball Season Reinvigorates the Classics
Numerous high-profile Shakespeare productions will fill New York stages next year. Among them will be “Seize the King,” Will Power’s…