Movie
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Arts
‘The Exorcism’ Review: Losing Faith
Russell Crowe stars as an actor playing an exorcist who’s battling his own demons.
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Arts
A ‘Cursed Film’ Novel, Spiked With Venom and Fear
Lock the windows and bolt the doors before picking up Paul Tremblay’s “Horror Movie.”
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Arts
Francis Ford Coppola: ‘You Can’t Be an Artist and Be Safe’
The filmmaker talks about the inspirations for the characters in “Megalopolis” and “The Godfather,” and responds to recent allegations.
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Magazine
Richard Linklater Sees the Killer Inside Us All
Richard Linklater’s latest movie, “Hit Man,” is a bit of a departure for the director, who has made some of…
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Arts
How Stop-Motion Yetis Emerged From Film Hibernation
“The Primevals,” a movie in the lineage of “Jason and the Argonauts,” was filmed 30 years ago. It has finally…
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Arts
‘MoviePass, MovieCrash’ Review: When They Take Your Company Away
An illuminating documentary about the ill-fated (though now-revived) subscription service finds an unexpected story.
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Arts
‘Furiosa: A Mad Max Saga’: What Do Critics Say? What Do You Say?
The reviews all agree that the follow-up to “Fury Road” feels sadder and heavier. But is that a good thing?…
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World
The Cannes Love Affair With American Cinema Takes Unexpected Turns
Whether it’s Demi Moore’s performance in “The Substance” or Sean Baker’s tale of a Brooklyn sex worker, this year’s jury…
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Arts
‘Hit Man’ Review: It’s a Hit, Man
Glen Powell stars in one of the year’s funniest, sexiest, most enjoyable movies — and somehow it’s surprisingly deep, too.
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Arts
Two Wild Movies at Cannes Have Everybody Arguing
“The Substance” features Demi Moore in go-for-broke mode, while “Emilia Pérez” is a musical crime drama that defies description.